Buried deep in the recently-published book Anything You can Imagine, Ian Nathan’s new doorstep-sized biography of Peter Jackson and his Tolkien-inspired film trilogies, are two tiny mentions of the projected remake of The Dambusters. The first remark occurs in a description of the director as a ‘military aviation buff’ who possesses a fine collection of antique aircraft and who ‘came close to remaking The Dambusters.’ A footnote explains that in 2008 the remake was to be directed by Christian Rivers from a script by Stephen Fry but that the ‘financing would eventually fall through’. The second mention is some 300 pages later, where Jackson is described as at one point starting to ‘develop a new version of The Dambusters… but it failed to secure funding.’
And that’s it. It is now more than a decade since Jackson acquired the rights to remake Michael Anderson’s 1955 film. At first, he invested significant funds – commissioning a script from Stephen Fry, getting full size models of Lancaster aircraft built in China, and buying several possible props and other artifacts. These included the original wooden bomb sight used by Plt Off John Fort on the Dams Raid. I can now reveal that Jackson was the anonymous bidder who paid more than £40,000 for this when it was sold at auction in January 2015. A member of his staff attended the auction in person, taking instructions over the phone while the sale was going on.
At various times over the last ten years, Jackson has said that the Dambusters project was still going ahead. The last of these statements was issued as recently as the summer of 2016. However these positive thoughts contrast with what would seem to have been recognised as reality inside his camp well before this time.
Nathan’s book is based on many interviews with Jackson and his entourage, and his remarks would not have been published in this form without Jackson’s knowledge, even if not his specific authorisation. What is significant is Nathan’s use of the past tense on both occasions, and we can therefore assume that the Dambusters remake has, to all intents and purposes, now been cancelled.
So this is how it ends. The remake project, which started in 2005 with a big bang and loud fanfares when David Frost bought the film rights from the Brickhill family, ends with the whimper of a couple of sentences in a book about a fantasy film series. A sad day but, to misquote another film set in wartime: ‘we’ll always have Michael Anderson’s original film.’ Maybe that’s how it should be.
[Hat tip to commenter RdS who drew my attention to Ian Nathan’s book.]